Is Hollywood ready to stop stereotyping Africa?
Released in 1988, Coming to America was a brash romantic comedy; a box-office juggernaut for Hollywood comic actor Eddie Murphy. But, despite its contrived plot and fairy-tale schmaltz, it was, in its own way, revolutionary.
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Still one of Murphy’s biggest successes, it told the story of Akeem Joffer, the prince of the fictional African nation of Zamunda, as he headed to the US to find a wife and avoid an arranged marriage. In the late 1980s, it was remarkable among mainstream Western films for its depiction of Zamunda: a wealthy African country that was entirely self-reliant, worlds away from the kind of downtrodden stereotypes found elsewhere. Now, as a sequel to the film, Coming 2 America, is released, 33 years on, it is astonishing to consider how little has changed. In the intervening years, only one other widely-watched US film has depicted an empowered African society in such a manner: Marvel’s Black Panther (2018), which again featured a fictional kingdom, Wakanda.
